Waterborne
Summer days buoyant on the Sound,
I went to bed lightheaded with the waves’
gentle roughhousing, dreams
of an underwater life washing over me
as I held tight to sleep’s gritty shore,
the shipwrecked girl, urban
mermaid, rising each azure day
like Botticelli’s pearl, new
to land and its peculiar longings.
Salt dried to tiny coastlines on my skin.
The moon tugged.
This was long before I knew its ties
on me, before I understood
even islands have a history, moored as they are
to their dark subterranean dramas.
I thought my island solitary, sovereign,
one mile long, half as wide, floating
free of the others, the self-willed exile
ruled by steely necessity
& singular immigrant desire.
There was no mainland,
no single link that could repair
rifts so deeply cut.
Old animosities—water, stone—the slow
erosion of lands long drifting
apart. Never mind the throb
of phantom oneness, that longing
to connect. And so the glory
of bridges, tunnels fisting their way
through rock.
To the west, across the Bay, Manhattan glittered,
monolithic, certain as a promise & as easily
withheld.
Half-mile east, Hart Island,
whose name I heard as heart,
thinking its shape aortic, muscular,
what I knew of it whispered
in muted tones of late-night
kitchen conversation, a few sketchy details
overheard,
nurtured, mutating—
convicts, suicides, nameless thus unloved,
ferried to the other side,
wooden coffins splitting
open, the ghost-story voice of a boy
who told me that sometimes their bones were found
on the beach, sometimes drawn back
by the tides into the Sound where they drifted, seeking
some living thing.
Memory is a crude map
of faulty correspondences, its boundaries
remade by serendipity, as when
by chance, years later and far
from that place, I came upon
an article about those islands
in an airport lounge,
the false clarity of black & white
smoothed over with the gloss
of human interest—
Chatty, indiscreet, it went on
for pages:
three thousand bodies
each year pulled from dumpsters, vacant lots,
tunnels, tracks,
though most are waterborne,
the forensic expert quoted as saying,
After all, New York is a city of fourteen islands.
How they’re loaded onto city-owned trucks
for a bumpy journey through the boroughs,
their final stop a scar
of land in a corner of the Bronx,
then ferried to the Potter’s Field
across the bay: Hart Island—
an asylum once, later a prison,
public graves at the northern end
where inmates from a Riker’s Island cellblock
lower them down
into ten-foot trenches.
It was like finally learning the truth
about a loved one you lost touch with long ago, now
long dead, the one whose odd habits
everyone suspected a sign of something
darker, who swam alone
at family picnics, always alone and out
too far, while you hugged the shore, wanting
to follow except that even then you knew
the dangers, how suddenly the current
could change,
and the surface: one moment holding
your reflection, the next turning,
jewel-blue to brown, black
with each cloud passing.
--Joanne Tangorra
First published in The South Dakota Review, Fall 2002